This is an interpretation of Yayoi Kusama’s Self Obliteration (1967); instead of art being an “obsession”, it is an act of producing. In the original work, Kusama places dots on outdoor objects and animals in a performative manner because of the symptoms of her illness. Her hallucinations cause her vision to be flooded with dots. in this piece, The people that I have appreciated during my time at college are signified with produce stickers. They have each contributed to how I understand what art can do. Many people of significance to me have been left out of this video, unfortunately.

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